A Reader is Born

I have never been a fast reader, but from my first adult book, First Blood by David Morrell, which I read at the tender age of 10, I fell in love with the written word. Not all of it. The dry material that was on the school reading list couldn’t hold my attention.

The passing of Peter Straub reminds me of the library that has continued to outgrow the bookshelves I have room for. There were so many wonderful authors to choose from. Stephen King, Robert R. McCammon, F. Paul Wilson, John Skipp and Craig Spector. I could go on and on. Really, I could.

I connected with many of these authors because they were a part of the era I grew up in. The 1970s. For a long time, I was a constant reader of Stephen King, not because he wrote horror but because of his style. King made reading a story like eating your favorite dessert. You identified with a lot of what the author was writing about. The writing was sometimes raw and honest and even fantastic. King and many other authors were comparable to the talent in the music scene of the same era. Creativity was on fire in the 70s and although the music changed in the 80s, the writing just got better.

Getting back to David Morrell, I actually had an online conversation with him through social media. I made a remark about First Blood and how I preferred the ending in the book to the ending in the movie. It felt more real. He told me that Stallone had also wanted the same ending in the novel and they had shot it. He said that when they put it in front of test audiences, they hated it. So they re-shot the ending. If you don’t know, read the book, no doubt you’ve seen some of the movies. I told Morrell how young I was when I read his book, and his response was, that a 10-year-old shouldn’t be reading a book like First Blood.

My response was that with respect I disagree. He reinforced it. “Too young.” Very nice guy. I understand his opinion. He didn’t write the book with a 10-year-old as his target audience. Besides, most kids that age were reading The Hardy Boys or Nancy Drew.

First Blood opened my eyes, I loved the language, especially the adult language, and the sex, and the violence, and adults talking about stuff that kids my age weren’t privy to.

First blood was a doorway to a place I’d never been. One that wasn’t censored or sanitized. When I finished the book, I put it down and thought about it for a long time. I grabbed William Peter Blatty’s, The Exorcist and read it. I lost a few nights of sleep from that one, but I kept picking up these adult books while getting a C- on a book report for some boring Bantam Book. If I couldn’t afford a grown-up book, my mom always had a Sidney Sheldon or Harold Robbins novel hanging around. I wasn’t a huge fan of either author, but I got through them. Robbins was easier due to the many sex scenes.

Back to Peter Straub, I think The Talisman co-authored with Stephen King will always be my favorite. There was magic in that book. I got to ask Peter Straub one question when he was doing an interview and that was. “Who came up with the idea for Wolf in The Talisman?” He replied, “That was all Steve,” referring to King.

Such a gentleman.

Farewell, Peter Straub, thank you for inviting us to the fireside.

Thanks for listening.

MJ

PS: Be sure to check out the Highwayman Series available in all formats on all platforms in all sorts of places all over the world. We haven’t reached space yet, but I’d love it if you give it a read. If you’re into crime thrillers, you’ll dig this.

Here are some links: Book One HIGHWAYMAN Book Two FOUR

The End of the Line

Death is the reality of Life, but it still sucks. I lost a good friend last week. I’m not going to mention his name. I wrote a tribute to him a few days ago for the soldiers of the unit we both served, and this is more of reflection. We served in the army together over 35 years ago. We hadn’t seen each other in almost 20 years and we met by chance in a remote part of Northern Saskatchewan.

After leaving the military, we both ended up truck drivers and our separate adventures took us from the ice roads in the Northwest Territories to the washboard-beaten gravel highway north that takes you into Uranium City. Driving those roads takes skill. You gotta call your markers to alert other drivers in the corners and crooks where two opposing trucks can’t safely pass each other.

That was, I don’t know how many years ago, five or seven, maybe even eight? Time to get up into my 57-year-old grey matter and dust a few things off. That meeting would lead to our friendship becoming an even tighter bond than our military brotherhood. He had PTSD and lost his wife not long after our reacquaintance in the middle of nowhere.

I lived in Alberta, he lived in Saskatchewan. So we didn’t see each other a whole lot, but when the Pandemic hit we started doing what I think of as garage sessions. Him in his, me in mine, beer fridges close by, and good conversation. When his wife passed away, I made a point of staying in touch because I worried about him living alone and being isolated. I not writing about it looking for accolades, that’s just what friends do. He would sit in his garage pontificating about politics, there were jokes and nostalgia. It was music to my ears. Through thousands of hours of telephone calls and a post-pandemic visit to my home, we talked about everything from his time overseas. We talked about his PTSD, and the loss of his wife to an aneurism. The emptiness he felt in his heart.

Gone just a week. I still have his number on my phone and forget he’s gone and go to check for a text or think, “I should call him.” Then the reality sinks in and I replace the phone. I cried for my friend, I miss him and there’s a hollow spot in my heart. But as they say, “This isn’t my first rodeo.”

Death becomes more brazen as you age, you start losing people at a more frequent rate. Some are closer than others. Religious folks believe that death is the beginning of the infinite. Be it paradise or Dante’s Inferno. Atheists believe that when it’s over, it’s over! Lights out! Fade to black. Roll the credits.

No one really knows, except maybe the dead. It’s either nothing–bones to dust.– fading through generations. On the other hand, we or rather, I, could be getting my skin burned off in eternal hell for taking a peek at Penthouse magazine when we were 10, and digging what I saw.

This only solidifies why we should drink up every drop life affords us.

Live life and love the ones you’re with.
MJ

Writing about time for Writing.

This is a recurring theme for many writers and the model for most initially. Stephen King worked as a substitute teacher moonlighting in an Industrial Laundry. I’ve heard Joe Lansdale recount his work in blue-collar and trying to earn a living on low wages while writing in the early days. These are the folks that made it. And when I say “made it,” I mean they were able to shed their day job and write for a living. You don’t have to take my word for it, but I would say that many writers don’t break out and keep a day job to the day they retire from the labor force. Then they may have the time to write full time, but there are still so many challenges.

In the old days, getting published was a tough gig in itself. Most publishers wouldn’t look at you without an agent, and finding an agent to represent a “nobody” was like looking for a Unicorn to bet on in the Kentucky Derby. Could happen, I suppose? If you were taking the right psychedelic enhancements. Or, if you caught a bit of good luck.

Grab your copy in print, eBook, and as an audioBook by clicking here

In this brave new world, writers are tasked with being a salesman and branding themselves somehow or another. These are time-consuming tasks, as you are suddenly engaged in several separate social media platforms like Facebook and Twitter and trying to balance being a good person and friend online while inundating your followers and friends with advertisements about you and your books. Social media can be a huge time-waster, and it is time you’d rather be writing. But it is necessary because you’re not Stephen King. You can’t rest on your writings because they need more exposure before readers start coming back and growing. But holy good grief, when will we find time to write?

All of these things are important. My publicist, Mickey, is influential because he gets me exposure with interviews on radio, television, and on the web, and magazine interviews. All necessary to try and elevate those books to a larger audience. But these things also take time.

Grab your copy in print, eBook, and as an audioBook by clicking here.

There’s a new book coming. I just spilled some more blood yesterday. I also have three more novels coming slowly to life, but that takes time. Money is required to live, and at least for me, writing doesn’t pay enough to live, so the day job stays. Beyond the day job, beyond the duties of husband and father and grandfather, I still need to get these books written, and that is why I’ve taken a hiatus from social media and media in general. It’s horse-trading exposure for output and balancing life and writing. I’m sure many writers can identify, as well as other artists.

For me, I will always find time to write.


Thanks for listening.
MJ

2021, THINGS I APPRECIATE

I’m not a huge fan of Old Style Pilsner, but I feel inclined to have the prairie beer from time to time as a reminder that I live on the prairies. As if the winters weren’t enough reminder?

So, here we are in 2022, the wreck of two previous years sinking behind us like two pieces of the Titanic. I’m not going to recap all the weird effed up stuff we all saw happen both north and south of the border. The pandemic, of course, sucked. But what sucked more was the division among people based on polarization. Even more disheartening was watching politicians of all stripe exploiting the pandemic.

So, lot’s of crappy stuff happpened this year and if I wanted to get down and dirty I could pull out my list and start checking off all the bullet points. But I’m not going to do that, I’m going to tell you about the good stuff. I’ll start by saying I am married to the most wonderful woman in the world. My pet name for her is, Stormy. She has been the love of my life for 39 years as I approach my 57th year on this earth. We met young, fell in love, and I joined the army to find us some kind of a future. The military didn’t pay well, but it offered stability. Every year we ran our credit cards up to buy our kids Christmas presents. We would use our tax refund to pay the credit card bills and so the cycle went year after year. Stormy and I were working poor, with three boys, and few options, she took care of those boys while I was off training with the regiment. We did what we could and 39 years later, here we are.

After being medically released she supported me in the toughest year of my life. Transition from soldier to civilian can be a difficult process, I don’t know what I would have done if she gave up on me? I just know she didn’t and she was my rock. Trucking offered more money, our kids grew moved out. We sacrificed, time for the dollar.

Where the hell did the time go?

This year, more than ever, I am so thankful to have her by my side. Stormy has always been there for me, through the toughest times, we lived and we loved, and I love her with all my heart. So that would be number 1 on the great things about 2021. I still have the love of my life at my side.

Also in 2022, I fell head over heals for a blonde named Rachel Paige. She is the apple of my eye. Her brother, Declan also stole my heart as does my oldest grandson, Hunter. In 2021, I was happy to see the appearance of two more grandkids. My grandson, Fisher and second granddaughter, Katey Ann. At the risk of sounding philosophical, no matter the state of events, pandemics, wars, hate, or even fear, love and life always finds a way because all that other stuff is bullshit.

That is my closing statement on a tough year, and in the face of an uncertain 2022. Take stock of the things most important. Not everything goes our way, but if you keep your eye on the positive it makes navigating the negative a bit easier.

I am also thankful for my family and friends who never cease to amaze me.

Happy 2022!

Thanks for listening, and love the one your with.

MJ

PS

Jake and Milo also wish you a Happy New Year.

Beyond the Rabbit Hole

I am a pretty open guy, my Facebook profile is open to the public as is my Twitter, and as long as you are not a drooling lunatic or fake profile, I generally friend or follow back. Here’s the thing with me. I’m public to a point, and aside from this writer’s very public profile, there are things that remain private.

As you steal hours from your spare time to try and pound out a novel, life happens all around, and sadly so does death. And so we do what we can to climb the hills only to rest in the valleys where life springs eternal. For the record, I’m pretty sure I plagiarized that last part. For the writer who’s got a day job trying to get their work out there, time is a precious commodity. Time equals transforming your brain from the realities of life and going down that rabbit hole of creativity. Trust me, it’s an awesome place to be. Rock n Roll blasting in the headphones, the keyboard clacking in a cadence of thought. From the blank page words appear and become sentences, and paragraphs, and chapters, and from that, characters backdrops, emotions, anger, distrust, horror, and redemption!

When it’s happening you’re having the time of your life. The world outside that place is in another galaxy. You are in Pittsburgh with a cop suffering PTSD. You are in Bucharest where the assassins gather to take on the FBI. It’s crazy, amazing, funny, heartbreaking, and scary. It’s not a trance really, but like a waking dream when the muse starts kicking ass. Explaining it to you even brings back flashes in previous writing sessions where in my mind I see through the eyes of my characters and therefore hold their memories.

Life beyond the rabbit hole can take a toll on that state you need to get into. You can lose yourself for a while, sometimes you have to shift your priorities, and avoid the rabbit hole because life demands it. In my case, I didn’t really lose my muse, I just sort of left him sitting by the rabbit hole tapping his foot and looking at his watch. Meanwhile, life has its demands, and we give in to those demands because…life.

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Because not only does life happen but so do global pandemics. The day after I did a pre-taped radio interview that was supposed to air the same day I was doing a big signing for Highwayman, it all got shut down. Poof! Then we were sequestered to our houses and I kept pinching myself to make sure that I wasn’t dreaming about one of the dystopian ” movies I loved from the ’70s. “Get your dirty hands off me you stinking ape!” Or “Soylent Green is people.” Every time we ventured out we were purposely avoiding others. Those first few weeks were especially creepy. Honestly, I don’t think anybody had any idea what they were doing. Life beyond the rabbit hole doesn’t give a hoot about your story or novel.

Welcome to the pandemic, and while we’re at it, here’s another big helping of life stew. And this is not just specific to me, this is every writer who has their own peaks and valleys to navigate. Sure, some are more comfortable, some don’t have a day job, and they write full time, sell books, some lots of books. But life doesn’t care if you’re an Indie writer or a NY Times bestselling author. Life doesn’t care.

The rabbit hole is still there when and if you choose to come back to it. After my peaks and valleys, and still in the global pandemic, I met my muse, bastard that he is, and down the rabbit hole we went. Through all of this, we keep coming up with something, and he whispers ideas in my head.

Things are moving now and there are characters revisited, and new ones introduced and as life rages on I’m in that other place. Stumbling through the wreckage of a car. Trying to find a lost FBI agent. Going to war. I hope I can pull it off and take it to the Max. For the time being I swiped the keys to the rabbit hole and life goes on.

Thanks for listening.

MJ

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Writer? You Haven’t Suffered ENOUGH!

MJ Preston Memoir

RANDOM THOUGHTS AND RAMBLINGS ON WRITING!

Bring on the suffering! That’s a running joke with writers, but I’m sure it is interpreted in many different ways. Like: It is through long periods of suffering from which we draw inspiration. Or: We suffer in our quest to earn our stripes. Maybe: We need to prove our worth in the writing world and therefore haven’t suffered enough? I don’t know. What I do know is that being a writer is an ongoing struggle to build a readership and sell a couple of books along the way. Sometimes when I mention the monetary, I am reminded that if you’re doing it for the money, you’re a monkey. I think Stephen King coined that. But money is a factor, because if you can earn a living writing, you’ve made it, and now can revamp your writing schedule with an extra eight or ten hours you never had before. That’s why monetary matters, at least if you want to write full time.

Art as a whole gets a bad rap. I’ve heard a pundit or five refer to it as unnecessary, a drain on the taxpayers. Perhaps they think of artists as people living in bubbles with unicorns and free cotton candy? Getting that fat royalty check or commision on a piece every month. Speaking for writers, most have struggled. Most artists struggle to make ends meet and sacrifice their personal time for their art. Stephen King worked in an industrial laundry and as a substitute teacher, while writing his breakout novel, Carrie. I’ve been to an industrial laundry, and that’s some serious suffering right there. The reality is that most writers, artists, actors, and even filmmakers have a day job. James Cameron drove a truck prior to the success of The Terminator. The other reality is that most artists will continue working the day job until they are able to retire. Some will break out. It happens, but don’t quit your day job. They are the exception, not the rule. That’s why you should pause before casting judgement, because truthfully, artists have more in common with you than not. A world without books, paintings, music, photgraphs, and movies would be pretty damned boring, so we need it art.

The Highwayman Series! IN PRINT! EBOOK! AUDIO BOOK Book 1 HIGHWAYMAN Book 2 FOUR

Most writers do this because they are compelled to tell stories either in fiction or non-fiction. Both fields are rewarding. I wrote movie reviews for a hometown paper before I joined the army in 87. Then I did military reportage for my unit while manning an M109 A3 self-propelled howitzer. Simultaneously, I was working on a little horror novel called, The Equinox. I started out in an army barracks, and then I got married and we moved into a cracker box post war house and had kids. There, I ventured down to folding chair in front of a six-foot table. Above that table were some movie posters to try and make the basement more inspiring. But in all honesty, if I was in that basement, it was because I had awoke or couldn’t sleep. Because I had an idea, a scenario or a character spinning around in my gray matter,. If I didn’t go pound away on that IBM that bowed the table, it would get away.

I saw plenty of rejection back in those days. Desperate to get published, I even wrote a horror/erotic vampire story and submitted it to a well known men’s magazine. When the rejection came back, my Troop Sergeant Major came into possession of the self-addressed stamped envelope returning my submission. He saw it was from Playboy, and took it into his office to read.

Writing the first draft of my first novel, THE EQUINOX, when I was living in an army barracks in 1987.

After he was done, he gave it back, a smile on his face. I was then tackled by my fellow gunners who took it upon themselves to do a live reading to the Troop. Somehow my well crafted erotic/vampire tale had become a comedy. More suffering. When I finally got that mangled story back, the Troop Sergeant Major whispered in my ear, “That was a pretty good story, Gunner Preston, except for all that vampire shit.” The boys gave me a hard time, but those knew me, and heard me banging away on that big IBM into all houtrs of the night understood that this was my passion. I think there was a quiet respect for that. One thing came out of that exchange. I was done with erotica, but probably not the vampires.

Rejection can kick the hell out of your confidence. I tweeted recently about self doubt, how it affects all writers, and it can be debilitating if you let it. Do they think I’m a crappy writer? A fraud? A hack? I used to worry about that stuff. But then I thought about it, and this is the conclusion I came to. Who gives a shit about popularity contests or being a part of a clicky group? Is that going to make you a better writer? It won’t, and it’s a waste of energy better spent creating. Don’t get me wrong. There’s some incredibly cool people in the writing world that I count as friends. We often support each other, throughout the insufferable suffering of being a writer and beating your heart against some mad buggers wall. Between pandemics, kooky leaders, countries blowing each other up, we don’t get to talk about writing near enough, but we sometimes share funny stories like the one I just told you.

Final random thought on suffering and the biz of being a starving artist. How do we measure our success in this business? I look back on what I’ve written and feel pretty good about it. Book sales can always be better, but beyond that this is where I am. I have met folks in this business and some are friends, whose paperbacks were in the back pocket of my Levis in the late 70s. It’s not a celebrity thing either, because most of these folks, still understand the struggle, the suffering, and that keeps them grounded and pretty awesome to hang with and chat about writing, or even Monty Python. So, I measure my success by the people I have met in this crazy black hole of uncertainty. I measure it by the readers that tell me that my stories have brought some happiness or escape.

And isn’t the point?

Thanks for listening.

MJ

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The Killer on the Road

The Highwayman Series

Welcome to the Sh!t Show!

The Highwayman series isn’t my first flirtation with serial murder. In my first novel, THE EQUINOX, an evil spirit known as a skinwalker forms an unholy alliance with a pedophile child killer. The marrying of the supernatural and the real wasn’t all that hard because both creatures personify real evil to me. Except, the human incarnation is much more repulsive and terrifying. I even flirted with psychopathic behavior in my Irish Hamilton gangster, Gordon Shamus. In ACADIA EVENT, he turns a man into a stew mud, blood, and bone with the bucket of an ecscavator, after shooting him both legs. I’m not a psychologist, but Gordon could have been a serial killer. He enjoyed inflicting pain, muses about raping protagonist, Marty Croft’s wife, as retribution for being disrespectful. I’ve said this before These people who operate by their own set of rules, who either lack or reject empathy, who derive a pseudo-sexual release from the acts of torture and murder. These are the most terrifying monsters of all. They’re unpredictable, they move among the societal norms of work, play, and even duty. You can never be sure if that guy issuing you a ticket, or flying the Queen of England, or landscaping your yard, might not be harboring some darker deeper need as they watch you with predatory eyes concealed by a a disarming smile.

Do I sound paranoid? Well easy there, I’m not suggesting you should be afraid to go out for fear that the policeman who patrols your neighborhood is akin to the Golden State Killer. Or that you should check your flowerpots as the dumping ground of a sadist serial killer. Honestly, the statistics of active serial murder within most societies are low, but when we hear about them, they both repell and draw our attention. As with my last blog, the discover of such a creature, makes us reflect, on the predators that do exist and do live within every facet of modern society.

Which brings me to the Highwayman Series and why I decided to tackle such a big project. The answer is that I’ve always been a voracious reader of thrillers, mysteries and by extension, true-crime. It’s how I became friends with author, Kevin M. Sullivan, likely the most versed on author alive on everything Ted Bundy. I wrote Sullivan an email to commend him on his book The Bundy Murders, and told him a bit about the project I was working on. Now we share a publisher but even more, a friendship. Here’s the thing about Sullivan, he’s a research hound, and he did his homework. He conveys the surreal when Ted Bundy’s murder bag ends up on his dining room table, containing an ice pick, right handed gloves, ski mask, rope, belt, laces as ligatures, and a package of Glad garbage bags. I hadn’t expected to end up at the same publisher, but life doesn’t have a roadmap. He’s a cool guy, and a hell of a true-crime writer.

During research for his first book on serial killer, Ted Bundy, the infamous murder bag ended up on Kevin M. Sullivan’s dining room table. Much to the consternation of his wife. Photo courtesy Kevin M. Sullivan. Check out The Enigma of Ted Bundy

When I decided to write the Highwayman story I had no idea that it would become a two-novel romp, but there you are. The strange thing about writing fiction is the mystery, but sometimes writing a story can lead you on all sorts of misadventures including meeting folks in the writing community. It also opens you up to this make believe world from which characters characters crawl out of the gray matter and become real not only to the author, but those who crack the pages of your work. Lance Belanger, aka Highwayman, is the personification of evil. He doesn’t care if you plead. CHOP! He doesn’t care if you have children. CHOP! He only cares about the presentation of his masterpiece and the driving need to remove the tether on the monster inside him. So, that it may feed. Along this trail of murder and mayhem, law enforcement is on the hunt. The first Highwayman FBI investigators, Lewis Ash, Michelle Leigh, are forever etched into my gray matter. Friends, really, whom I wish to revisit. Special Agent Dave Maxwell, aka Max, is a character who will stay with me in one form or another. He is middle aged, but dogged, he’s not your typical agent in that he is more personable even when newly promoted. But he’s tough. Not afraid to throw down.

In writing the Highwayman series, I have always been vague as to what Maxwell looks like. This is intentional, so that the reader draws their own conclusions. I won’t describe him here either, for those of you who have followed or preparing to ride with Maxwell’s posse, that’s for you to decide. But if you want to see what part of him looks like, at least to me, he’s peeking out from the new Highwayman series ad at the top and bottom of this blog.

One difficulty this writer faces in an over-saturated market of great and yes, bad fiction, is convincing the readership out there to read my stuff. It’s a constant struggle, but I keep going because that’s what my genetic fate is. I have used the word most of my life. To tell stories, to champion injustices, to express love, hate, humor, and the voyeuristic muses that come tumbling out of that blinking cursor and onto the screen. I will always be a writer, at least while there’s breath in my body. Judging by the feedback on my writing this far, I think I’m doing something right.

So, come on and check me out! Check out the Highwayman series. People are digging it. I think you’ll dig it too. Once you step into my world, you’ll want to hang around and see what happens next. If you do, you’ll make some friends along the way, like chain smoking Louisville PD homicide detective, Lonnie Perkins, whose vocabulary includes the phrases, “This just became a smoking aircraft.” and “Welcome to the shit show!”

I’m M.J. Preston.

Come and find me!

Take care

MJ

The Highwayman Series
Grab a copy of Highwayman for free as an Audiobook at WildBlue Press https://wildbluepress.com/sale-audiobook-offer/

THE HIGHWAYMAN FILES

Jessica Lloyd and Cpl

PART III – AN IMPRESSION IN MURDER

The Case of Russell Williams a serial killer in the making.

On January 28, 2010, Jessica Lloyd went missing from her home in Belleville, leading the investigators to suspect foul play. Canvassing the neighvborhood for witnesses, police were alerted by a neighbor of a suspicious SUV parked beside Lloyd’s place the night she disappeared. After walking the property surrounding her residence, they discovered tire impressions in the snow and mud. The tire tracks were distinctive enough that investigators decided to set up a highway canvas of vehicle treads using the highway in proximity to Lloyd’s house. Tire impressions are distinctive because every tire wears differently. In addition they also found shoe imprints in the snow.

A week passed since, Lloyd was still missing, and the Ontario Provincial Police set up a canvas of vehicles that regularly ran the highway in proximity to Lloyd’s house. It was a long shot, especially if she was taken by a passing stranger, but the impressions were a solid clue. The canvas ran from 7:00 p.m. on February 4, until 6:00 a.m. February 5, 2010. During the canvas, an officer noted a similar tread pattern on a motorist’s pathfinder. Evidence was gathered and the motorists proceeded on.

What police would discover, is that the pathfinder wasn’t just similar, but matched the tire wear like a fingerprint. The revelation of who the owner of that vehicle was must have given investigators great pause before proceeding.

The driver’s name was, David Russell Williams, a British born Canadian and a serving member of the Canadian Armed Forces. But what must have stalled investigators was that Colonel Russell Williams was the 437 Wing Commander at C.F.B. Trenton, Canada’s largest air force hub. Not only was a commanding officer, but a high profile and decorated pilot who had served overseas and had flown dignitaries, like the Canadian Prime Minister and the Queen of England.

Given that, police had to be sure, but the tire impression matched, and investigators continued gathering evidence. They decided it was time to call Williams in for an interview. They knew they had their man, but wanted to see if they could draw out a confession. Williams was an educated, intelligent man, with over 20 years of military service and training. The detective set to interview Williams was OPP Detective Sergeant Jim Smyth. Smyth was a seasoned investigator, with training as a forensic interviewer, a polygraph examiner, and was certified as a criminal profiler. Smyth had also worked the high-profile abduction/rape-murder of nine-year-old Victoria [Tori] Stafford, which ended with the conviction of Michael Rafferty and his girlfriend Terri-Lynne McClintic. McClintic had procured the child after school and brought her to boyfriend Rafferty who raped the child, and then McClintic murdered Tori with a hammer. A search for Tori’s body was fruitless, McClintic attempted to assit police, but she was not effective in Smyth found Tori Stafford’s body three months after her disappearance.

Smyth was the man for the job. What is clear in the video of the interrogation is that Williams presents himself as friendly, cooperative, and confident.  But this is mask. One can only speculate that Williams knew going in, that the police had something. His thoughts possibly harkening back to the canvas where officers checked his tires.

Smyth opens with some small talk, explaining they are interviewing many people, and walks him through his rights to ask for an attorney. He qualifies this by saying, that they are reading everyone interviewed their rights. But then asks if he would like to confer with an attorney which Russell declines. Several techniques are at play in the first stage of the interview. Smyth is mild sounding, not threatening, it is clear he working to build trust.  The Hollywood’s good cop/bad cop can’t be found in this room. Smyth might sound meek, it is all an elaborate ruse, Smyth has already started boxing Williams in. Smyth deliberately ignoring Williams’ rank, a deliberate tactic of taking power from the suspect. Not Colonel Williams, but Russell from Tweed. From the interrogation transcript you can see where Williams makes an attempt to steer his interviewer to his authority, but Smyth presents himself as uninterested and moves back toward the case.

The interrogation transcript illustrates where Williams makes a weak attempt to steer his interviewer to his authority, but Smyth shows little interest pushing Williams back toward the case. Smyth asks Williams if he’d be willing to submit to DNA, fingerprinting, and handing over his boots for imprinting.

Incredibly, Williams agrees, and Smyth takes his boots.

Left Russell Williams upon arrival to be interviewed with [inset right] Detective Sergeant Jim Smyth. Center Williams Pathfinder and Right his boots left matching impressions at the crime scene.

A transformation is underway. You might not be able to hear what Williams is thinking, but his body language betrays him. He shifts uncomfortably in his seat as Smyth asks several questions intended to box him in. He outlines that they are not just looking for Jessica Lloyd, but also investigating the murder of a Corporal from Canadian Forces Base Trenton, and two sexual assaults in proximity to Williams’ cabin in Tweed, Ontario.

Two months and three days previous, on Nov 25, 2009, in Brighton, Ontario, Corporal Marie France Comeau, 38, was found sexually assaulted and murdered in her home. Smyth pushes with an almost apologetic tone, wanting to draw out a confession, not send his suspect into lock down. He asks if Williams knows Jessica Lloyd, and most damning, if he’s ever been on her property. Williams fidgets in his seat, his head bobs, and he denies he’s ever been on the property and he is also asked about Marie Francis Comeau and the two women sexually assaulted on his street.

Corporal Marie France Comeau was found murdered in her basement. She was Russell Williams first murder victim.

Russell lies that he wasn’t friends with any of them, although “they” had cooperated with police during a neighborhood canvas. They, being he and his wife.  This is another attempt to shift the narrative using his wife as tool, to make the investigator focus on him as a married man. Someone who couldn’t possibly be a murderer. But Smyth continues to ignore the bait, and keeps handing Williams rope with which to hang himself. And with every lie, the noose tightens because Smyth is deliberately enabling Williams to lie. Getting “Russ” to lie is exactly what Smyth wants because he has evidence that will knock those lies flat. And though Williams hasn’t seen the evidence, his confident demeanor changes, his arms tightly crossed, his eyes moving down or away when answering questions. What law enforcement refers to as “a tell” of deception. This is another piece of the puzzle validating to investigators that this is their killer.

The mild-mannered Detective Sergeant steps out and returns during the interview, leaving Williams to stew in his thoughts.  When he returns, he explains how DNA is going to be a significant part of the four cases they are investigating.

Smyth leaves and returns. His demeanor is that of man who has learned information and is disappointed, but not angry. He states how he has put his best foot forward and tried to be fair, but evidence has come back contradicting Williams’ story.  Then he begins knocking down the lies one at a time. He produces the tire tread, explains how those treads are on his “Williams” Pathfinder.

Smyth then produces Williams boot imprint and compares it against the footprint in the snow taken outside Jessica Lloyd’s house. It is an exact match. Williams becomes quiet, and one can only assume what is going through his mind. Panic? Inventory? He picks up the photos looks at them. Then sighs and sets them down. Smyth tells him that they are executing warrants on his residences. There are long periods of silence, which Smyth uses effectively to break Williams down. Russell Williams knows his secret world of rape and murder are now being brought out of the obscurity into the light. He has been exposed, and there’s not one thing he can do about it.   

There are multiple gaps of silence. The silence is used by Smyth, and incredibly, in the video of the interview he mimics many of Williams’ mannerisms through the reticence.  Williams places a hand against his cheek, so does Smyth, Williams sighs, so does Smyth. Smyth is projecting, I know this is bad, but I’m trying to be your friend here. He asks Williams what he’s thinking, what he can do your Williams. Williams says he’s concerned about his wife and how to he wants to minimize the impact on her. Detective Sergeant Jim Smyth sees the opportunity and ceases it.

Williams provides the location of Lloyd’ body and investigators recover her the next morning. He also gives details about the crimes, which he’d videotaped and photographed. Further to the rape and murder, Williams had broken into 82 residences stealing lingerie, and photographing himself wearing it. Some of that clothing from prepubescent girls. On one nine-year-old’s computer he left her a note saying thank you.

The murders of Comeau and Lloyd had involved blunt force trauma then death by asphyxiation. Comeau’s last words were, “Have a heart, I want to live,” before Williams struck her with a flashlight then strangled her. He killed Lloyd using the same technique after telling her he was going to take her home. He repeatedly raped both women before murdering them, and there were the women who survived. They were left in terror of their attacker who broke into their homes and sexually assaulted and photographed them.

Williams said that he killed both women because they posed a risk of identifying him. But Williams meticulous record keeping, trophies, and photographic and video evidence left him little room. He confessed to his crimes and is incarcerated in the Port-Cartier Institution in Port Cartier, Quebec. He is a dangerous offender, which makes him ineligible for the faint hope clause, a legal appeal afforded to criminals facing life sentences.

Russell Williams was a case I looked at closely because it is so unusual. Williams is considered at serial rapist, and a multiple murderer, but he does not fit the category of serial killer because he only killed two people. However, there is no doubt that he was well on his way. What also drew me to this killer is that he was the base commander of a unit, that was home to many friends whom I’d formerly served with, but more disturbing, my oldest son had served under Colonel Russell’s command.

There were references to Williams’ military career on the CBC news program The Fifth Estate.

As a forensic psychologist watches the interview, he draws a correlation between Williams’ military training and his ability to compartmentalize the murders of Comeau and Lloyd. In my opinion the connection is frivolous. While I do not hold a degree in psychology, my extensive research of these monsters sees this as a similar trait shared by most multiple sex murderers. They view their victims as objects rather than people. They are driven by a need and they disconnect themselves from the crime. Referencing the air force and the discipline of serving as some connection to Williams’ ability to kill without remorse is a reach. The air force isn’t under the strict constraints of discipline you will find in an Army unit. Officers and regular ranks often work on a first name basis. As Russell Williams was a pilot, he would be on a first name basis with the crews who made sure his airplane was flight-worthy.

The truth is most serial killers lack empathy and are driven to kill by a need for possession and domination of their victims. In Williams case, that need amalgamated sex and murder into the same thing. The media draw might be to the Killer Colonel, but he was no different than any other deviant of society who has ability to kill without remorse. I suspect that Russell Williams harbored these dark thoughts for quite some time before he acted on them and would say that the only connection to his military service was that he seemed an unlikely suspect because of his status.

The outstanding work of investigators on this case not only stopped a murderer and confirmed serial rapist, but also a serial killer in the making.

I’m MJ Preston, thanks for dropping by for another Research of True Crime in the Highwayman Files.

MJ Preston is the author of the HIGHWAYMAN Crime Series. available in print, digital and as an audio book from WildBlue Press

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Below is a link to watch the Fifth Estate – Russell Williams – The Confession

A Day from Hell on the Ice

That day started like any other on the ice. I was on my second season on the ice, running my third trip up the ice in 2013. The weather had been strange that year. Temperatures in the north warmed up―the previous day, the sun was out, and the roads which crossed the portages began to glaze with a slick coating of ice.

We launched that day in darkness, departing the city of Yellowknife, our Super B’s loaded up with fuel, bound for the Ekati Diamond Mine. By the time we were up the Ingraham trail and onto the ice, an overcast sky hung above, its canvas flat opaque. Our convoy of three consisted of Brad Hardy,  myself, and Gerald Keefe. Brad was in the lead, me in the middle, and Gerald was our tail gunner. As with every trip, I shot plenty of pictures. We talked for hours on the radio as we made our way across lakes and portages that would get us to our halfway point. Lockhart Lake. Talking, debating, and joking around on the VHF radio is what drivers do to stay ahead of the fatigue. A run to Ekati could take as long as 18 hours, and once you’ve committed, there’s not a lot of places to stop and sleep.  So, it was a typical day. We were all in good humor that morning. As this was my second season, I was well acquainted with Gerald and considered him a friend. I had no idea that he would be there beside me when all hell broke loose.

We were coming off Gordon Lake when Brad called, “Three north on 20,” to alert southbound convoys of our presence. In some spots, it can be tight meeting a southbound truck. A small pond only separates portages 20 and 21, no more than 30 feet across.  It isn’t a great spot to meet another rig, but it happens, and drivers adapt. Coming down the hill onto the pond is a feat in itself.  You go straight down a hill, pushed by your twin tankers. Once you’re on the pond, you have to turn the rig in a hard right to climb the icy grade to portage 21.

I was on portage 20 now when I heard Brad call, “Three north on 21!” There was a pause. I was halfway across the portage when Brad called back, “Mark, get your foot into on twenty-one. I was wiping my feet all the way up that one.” Which meant he was losing traction. I readied myself for the next pond, feeling confident, wide awake. I’d done this pond crossing north, and south over fifty times, so I adjusted for conditions.

I came off portage 20 and got onto the pond with no issues, But when I started into the last part of the turn that would take me up onto Portage 21, the steer wheels lost their grip on the road and became skis. Instead of propelling up the hill, I was in a direct line with the bush. I tried to bring it back under control, but the tankers of fuel had power now. Next, I was crashing into the woods, small trees falling victim to my moose bumper. There was a thud, and as violent as the crash felt, it was over in mere seconds. I looked in my passenger window at the mirror and saw my pup was blocking the road. Gerald was coming, only half a kilometer behind me, probably more like two hundred meters by then.

Grabbing the radio, I called, “Everyone stop! I’m off the road at 21!” Then I was getting my winter gear on. Behind me, Gerald got word just in time. He got onto the brakes as he was coming off portage 20. With my arctic gear on, I got out to assess the damage. That was when my heart ended up in my throat. The driver-side fuel tank had struck a rock and been ripped open. I scrambled through the snow and under the lead tanker to grab my pails. Gerald was out of his truck.

“My fuel tank’s ripped open. Bring all your buckets!”

Then I climbed back under the trailer with three buckets in my hand. When I got up to the side of the truck, I couldn’t get the pail underneath the ruptured tank, so I jammed my arm underneath between the laceration and the rock it sat on and used it as a conduit to drain it into the pails. Gerald showed up with all his buckets and slipped on the same rock that had ripped open my fuel tank. He fell on top of me and then thanked me for saving his life. Twice.

“Huh?” I was kneeling in the snow, my right parka arm jammed in a crevice of rock and steel, acting like a candle wick directing fuel into a container instead of onto the ground. I didn’t understand what he meant.

Gerald pointed to the rock. He would have hit his head if I hadn’t broken his fall, and then he said, “I would run right into you. If you hadn’t called out, I would have hit you for sure.”

I looked at him and said, “You can buy me a beer when this is over.”

Gerald laughed. So did I, even though I felt like someone just fed my ego into a shredder. The damage to the truck weighed heavy on me. I was questioning what I could have done differently,  and meanwhile? I was soaked in diesel fuel, pumped on adrenaline.

Security showed up, and when he got out of his pickup, he fell flat on his back. He picked himself up and walked like a drunkard wearing roller skates. He came down, “You guys need anything?”

“Something to put the fuel in,” I said, and as if by a miracle, a guy appeared with an empty 45-gallon drum and brought it down to us. Roughly a half-hour after the crash. I used a compound called Plug & Dyke, a powder that turns into putty and can work miracles on a punctured fuel tank, to seal the lacerations in the tank. You only have a few minutes to work with the stuff, but I managed to plug the holes and stop the remaining fuel from leaking out. Part of that dyke involved a tree branch that had pierced the aluminum fuel tank.

As I climbed back up onto the road with Gerald, the security commended both of us for containing what could have been a disastrous spill. I asked him, “You writing me up for this?”

“No, the road’s a skating rink. It was an accident,” he said and added, “I have to commend you, boys. You averted an environmental mess.”

“It’s what we do,” I said. That wasn’t arrogance―it’s bred into a fuel hauler―you don’t want to spill a drop. We train for it constantly. His words should have made me feel better, but they didn’t. In the distance, I could hear the recovery boys coming to pull me out. Generally, they will not pull tankers backward for fear of causing significant damage, including rollover and spill. When they got there, I signed a declaration of responsibility for all damage incurred during the recovery, be it mechanical or environmental.

Putting my signature on the document made me feel even better.

It took three winch tractors and four hours to pull me off that rock without destroying the undercarriage of that W900. When it was done, my wounded rig and trailer were dragged up to the sugar shack. An oxymoron because you found quite the opposite of sweetness in that in the sugar shack. It was, for lack of a better word, a shit house.

“The road is open!” Security called, and the convoys began rolling north and south, packs of four twenty minutes between each. Each passing, taking in the battered spectacle of my rig. With the road cleared and my rig waiting for recovery, it was time for my friends had to leave. Gerald and Brad returned to their trucks and started heading north. I was on my own at this point. I felt the sting to my ego as gawkers drove by taking in the truck that had hung them up for hours.

The second casualty that day, another tractor pulling super b’s finds itself jackknifed.

I ended up jumping into a pickup with the 2IC of Nuna Road Maintenance out of Dome Lake. Nuna had sent the three winch tractors to recovery me. It was their job to maintain and keep the road open. Word came that Big Red, driven by Curtis, our winch truck operator for Ventures West, was on his way with a replacement rig for me and to take my battered W900 south to Yellowknife for repair.

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“Stop!” A diver called. I’m spun out on twenty-two,” A driver called, and the road was again closed. We drove to the scene, where I jumped out, helped the driver chain up, and took about fifteen minutes to get him rolling again.

“The road is open!” The 2IC of Nuna announced on the VHF radio, and trucks began again. Then two more reports of spin-outs came across the wire. “The road is closed.” We darted across the portages, and I helped out two more drivers get their chains on while heavy equipment pulled them up the grades. Over the next ten hours, the road would reopen and close over a dozen times as calls for assistance came from drivers losing traction. I chained up seventeen out of the eighteen trucks that sent out distress calls.

After midnight, a Kenworth pulling super b’s jackknifed on a portage, and I found myself assisting with that recovery. That was the final recovery of the day. On Gordon, Lake trucks had been circling for hours because they could fit on the portage. I heard one driver say, as they circled for what must have been the hundredth time, “Here we go again. I’m living in Nascar hell.”

The entire day had been surreal. I was exhausted, I smelled of diesel, and I would be getting a shower until my replacement rig arrived. That happened around 3 AM when an exhausted Curtis showed up at the Sugar Shack with the flatbed and a replacement rig. The Kenworth was running, so I went back to my truck, stripped out of my gear, and put clean clothes on. It was better, but I needed a shower which wouldn’t be forthcoming until I reached Lockhart Lake. We decided to grab at least four hours of sleep before switching the tractors. I climbed up onto Big Red’s flat deck and into the idling Kenworth, where I collapsed from exhaustion.

The following day the sun came out, and Curtis and I pulled my new wheels off and then put the W900 on his deck. That done, we chained it down, and Curtis was gone south. Now all I had to do was wait. Eventually, I tagged onto a northbound convoy, and we went onto Lockhart Lake. When I came in, there were looks from other drivers who knew. Some guys came up and chatted, tried to be supportive. Many looked with the interest of a rubber-necker.

A grader [front] and a winch tractor [rear] attempt to pull a jackknifed truck and trailer out of the bush.

I carried on up the road, and by the time I got back from the Ekati Diamond, the boys in the shop had my W900 rigged up with a new fuel tank, and I was back in the game.

I reflected on what happened that on the ice. It’s something every driver does after an accident or an incident. The melting of the road and the dusting of snow made it a skating rink, but I will always wonder if something I could have done differently. Maybe if I turned a little wider? Perhaps if I hadn’t been so aggressive to get up that icy grade? Maybe?

Now, I look back, and though it was an unpleasant experience, it was also a chapter in the story of my ice trucking days. One I will remember for all my days. One I would never want to repeat. I can’t remember if Gerald bought me that beer for saving his life twice, but I’ll never forget how he was there by my side on that day from hell on the ice.

Thanks for listening.

MJ

THE EQUINOX by MJ Preston
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#FFS Featured Free Story

Ths week I am giving away a story that was originally published in an anthology called: CANOPIC JARS Tales of Mummies and Mummification. The story is called Run-off 31. It was published by Great Old Ones Publishing, and edited by Gregory L. Norris.

It apperared alongside authors such as, H.P. Lovecraft, Gord Rollo, B.E. Scully, and many more fantastic authors. This is my all time favorite anthology.

I’m going to do this every once in awhile. If you dig my stuff please purchase one of my works and leave a review.

Anyhow, that’s enough of that, here’s Run-Off 31.

Enjoy

MJ

RUN-OFF 31

A Short Story by MJ Preston

1

Chicago, Illinois

Summer, 2013

The bodies started turning up in late July. Before long, police began to think that this was not the work of one serial killer, but two, possibly even three.  The only flaw in this thinking lay in the fact that every victim had been left with an identical incision from solar plexus to belly button. Some of the detectives called them the ‘X Killings’, because carved into each victims belly was an X that was not a symbol, but the end result of evisceration.  The reason they speculated the killings couldn’t possibly be committed by one perpetrator, the sheer number of victims. To date there were 44, and the dead weren’t more than a day or two old when they began turning up. Now, into the end of August, meant only one thing, the killer or killers, were claiming a victim a day on average, with the odd double.

Sean Woodman was not assigned to the case, he wasn’t even a cop anymore, but he followed closely through the papers. It reminded him of a case he’d worked back in his days as a Chicago Police Detective. A case that was never closed. He’d been young and cocky back then, but along with his damn-the-torpedoes attitude, he also had a talent for seeing things others missed. And with the exception of that one unsolved case, he’d cleared a lot of murders. Those cleared cases garnished a respect which would eventually pave the way to a door plate which read: Deputy Chief of Police. That was the end of the line for Woodman.  He wasn’t a cop anymore, just a PR man who practiced politics with the best of them. Truth was, he hated it. He missed the smell of an unsolved case and made it his business to poke his head in on a task force or two to get a whiff of that scent.

At first they thought he was some crazy micro-manager from upstairs. But Woodman proved a great help to his fellow officers; and even better, he took zero credit. Word got around, and after a while the task force cops started coming to him for insight.

Chief Jorgenson didn’t like it though when Woodman got down in the trenches with the troops. Woodman thought that dislike was born out of resent. Jorgenson had been a career pencil pusher and had no cred with the cops he commanded. Although Jorgenson disapproved, there was no real reason to put a halt to Woodman’s actions. Woodman had balanced his position while Deputy Chief with an occasional task force consultation quite well.  When a case cleared, the Chief did what any politician would do. He held a press conference – congratulated his officers, and basked unabashedly in their success.

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Then the unthinkable happened to Woodman. The unthinkable being, a car accident that resulted in the death of his wife Jesse. Then there was the trace amounts of alcohol in his bloodstream that hardly registered .04 on the breathalyzer. He hadn’t blown enough to be charged, he wasn’t legally drunk, but Jesse was gone and when word got out, the media hooked onto him like a pariah. They dogged him about the accident, and about how much he’d drank after someone leaked the blood alcohol tests.

His career ended in much the same way Jesse’s life ended. Abrupt and without mercy. He found himself standing before the Mayor and Chief Jorgenson. On either side of them, like book ends, a Public Relations Bitch and the City Lawyer. Set neatly on a table before them, a stack of paper roughly an inch and a half thick.

That’s the “The Big Fuck You”, he thought. Somewhere through that he heard the Mayor offering words of regret, and there was even a round of condolence. But it was hollow, the papers on that table spoke more about what was at play than these four assholes put together.  In the end he did the only thing he could do. He signed his resignation, took a handsome buyout and left them to pat each other on the back. That was the end of Sean Woodman’s career in the Chicago Police Department. And though he was gone, he never forgot that one big case that got away. The one with the Indian named Blackbird and the bodies of woman they found in the Chicago sewers. They had also been eviscerated,  but the belly’s of those girls had been torn open. They called the case Little Big Horn, because on the evening of the last murder there had been an exchange of fire which included the use of a cross bow. Considering that Daniel Blackbird had been of Native descent and was the one firing the arrows, the name stuck. 

Scott Emmett showed up on Woodman’s doorstep with a case file thicker than a city phone book. He liked Emmett, but he was adamant that his days as a cop were over. Emmett was the son-in- law of his partner and best friend, Brad Rosedale. Coincidentally, Rosedale had been a part of that forgotten case as well. Unlike Woodman, Brad moved on. In fact he moved all the way on down to Tennessee; somewhere between Nashville and Memphis with his third wife.

“I can’t do this Scott. In fact if Jorgenson found out you were on my doorstep you could find yourself in deep shit. You could lose your job.”

“Well, normally I’d say fuck Jorgenson, but to be honest, he sanctioned this visit,” Emmett replied.

“Don Jorgenson told you to come see me?”

“Yeah.”

Woodman laughed, not because it was funny, but because he couldn’t believe the bastard would have the nerve. “Nothing personal Scott, but you can tell Jorgenson to go fuck himself.”

“We need your help Sean.”

“Why should I care? I’m not a cop anymore.”

“The last one was a 10 year-old girl.”

“Jesus Christ.” Woodman sighed and pushed open the screen door. Emmett stepped through the doorway and followed Woodman down the hall of his two room bungalow. “You know that the whole ‘last one was a ten-year-old girl’ is pretty fucking lame, little girls get murdered all the time.”

“There’s something else.”

“Yeah, what’s that?”

“We have a suspect.”

“You’ve made an arrest? I didn’t read anything in the papers.”

“No, not exactly, but we, know … I need your help.”

“So, you want what? Me to sit down with this guy. Jorgenson can’t be agreeing to that. This is all over the papers. I could see the headline. High profile case pulls disgraced Deputy Chief out of retirement. As much as I would love to make that Fuck-Stick squirm, I still have my daughter to think about.”

“How is Stacey?”

“I don’t know, she hates my guts. I killed her mother after all.”

“There’s one other thing Sean.”

“What’s that?”

“The suspect says he knows you.”

“What? Who is he?”

“He doesn’t have a name, but he says he knows you and won’t talk to anyone else.”

2

They rode in Emmett’s car. Woodman leafed through the case file, Emmett briefing him as they rode. “He’s approximately 40 years-old, no tattoos and he’s huge.”

“You mean fat!” Sean was staring at one of the crime scene photos. It was the body of a woman, she was nude, her stomach unzipped.

“No, tall. Stands like 7 foot 3. Scary looking fucker.”

“Where did you pick him up?”

“That’s where we’re going now.”

“How would he know me?”

“I don’t know, but we found something.”

“What? What did you find?”

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Emmett turned toward him, his face serious. “It will be better if you see it. This guy identified you by name. He said you would know him if you met him and he said one other thing.” Emmett turned his attention back to the road.

“What?”

“He said: I am Number 4.”

“What? Where? What the fuck? Where the fuck are you taking me?”

“We’re going to the run-off.” Emmett glanced over, then back to the road. “ Run-off 31.”

Woodman fell silent, but his mind raced. Run-off 31. Did they? Was it possible? After all these years?  Had they finally caught him. His teeth clenched, turning his cheeks out into hardened contours of meat.

3

Being back down here, plodding through the sewers, sent tremors through Woodman. It wasn’t just the claustrophobia, it was the smell, the dripping sounds, and below the pungent order of methane and human waste lay something darker. Woodman thought about the Nazi death camps and the smell associated with them. Real or imagined, those who visited those dark satanic mills associated that smell with death. This place was very much the same and though it had been almost 14 years, he still recalled the bloated headless corpses in Run-off 31. They got more than they bargained for when they, Chicago PD, went down below. A log jam of  bodies, all headless and eviscerated, crammed into that run-off, like…

“Spoils.” Rosedale called from the past. “Like a bunch of fucking discarded chicken carcasses.”

Up front, Emmett waded through the sludge, stirring the septic slew with his hip waders, creating a tide of lurching waves that lapped against the scum coated walls of the underground tunnel. Woodman felt the pressure of the liquid pushing his own waders against his legs. Emmett had come prepared.

“You boys are going to bring the suspect through this shit, seriously?”

Emmett stopped, swung about, the beam of his flashlight gliding across the glistening walls. Facing Woodman, he said. “He’s already there.”

“I thought you said that you guys had him in custody.”

“Not exactly. He’s contained.”

“What the fuck is up here, Emmett?”

Emmett chewed his lower lip, eyes losing focus momentarily. Then his gaze hardened and he turned to continue on. “It will be better if I show you.” Woodman considered protesting, but his curiosity had the better of him and at this point complaining would accomplish little, if anything. So, he did the only thing he could do, he followed the young officer and they continued on toward the run-off.

They reached the mouth ten minutes later. The arch of concrete was a little over eight feet high. This section of the sewer was as old as the city itself. The walls pitted and worn, falling victim to the elements and toxicity of gas vapors. Emmett halted, tracing the beam of  light up the wall until it fell upon a rectangular plate stamped out of brass that had long since faded and turned green.

It read: RUN-OFF 31.

Woodman didn’t need the sign. This place was etched into his memory. Through that archway, thirty feet ahead bobbed the horrific memory of his cold case.

“Are you ready?” Emmett’s gaze was neutral, even distant.

“Yeah, lets do this,”

They waded forward; sloshing liquid bounced off the conduit walls announcing their presence to the subterranean wildlife. A rat scurried along the edge and dove into the slew dog-paddling away from them. Thirty feet in Woodman stopped, listening for the ghosts of his past, wondering if they were watching him now. Emmett said nothing, waiting patiently for the moment of silence to pass. It did and Woodman whispered, “Let’s go.”

Sixty feet in, they came to a Y-Junction, to the left, the run-off continued its course to wherever it was the water flowed. To the right, the path began to climb out of the murky liquid. At its base slimy cobble awaited, but further up it looked dry. The archway was still high enough to walk upright and for this Woodman was thankful. His back was thankful as well.

“What do you make of this?”

Scrawled into the cobble by their feet was a single word: CHARON. The inscription was not old, weeks, perhaps as long as a month, and it was done free-hand, chiseled into the cobblestone and blotted with what looked to be blood.

Woodman studied it, something in that name struck a chord, but he couldn’t put his finger on it. “I  don’t know. Could it be the name of your Perp?”

“No, I don’t think so.”

“Okay, that’s it! What in the name of fuck is going on here? First you tell me you want me to speak to a suspect, then you drag me down into the sewers. Now I’m taken back to the scene of an old case and you’ve been … well, cryptic seems to be the operative word.”

Emmett’s gaze was trained upon him, but he said nothing.

“Okay that’s it!”  Woodman swung around, ready to wade back into the septic stream.

“Wait.”

He stopped.

“Almost everything I told you is true, Sean.  We need your help.”

His back still turned, Woodman responded. “You want my help. Start talking.”

“Okay.”

He pivoted back around to face Emmett. “I’m waiting.”

Emmett took a long, deliberate breath then exhaled. “We tracked our suspect here this afternoon after the body of a ten year old girl turned up in St. Paul Woods. This was a fresh kill, crime scene puts it down to hours. The mother wasn’t even aware yet that the daughter was missing, let alone dead. She’s a turn key kid, with a single mom working two jobs. Some old homeless guy picking bottles and cans came across her, and he saw the murder.”

“He didn’t intervene?” 

“As I said before, the Perp is huge, I don’t think our witness could have done much.”

“Never mind, carry on.”

“The old man, he’s a mess. He said that the girl was screaming when the ghoul cut her open. Screaming and begging for her life.” Emmett stopped, took another deep breath and carried on. “So, when it’s over, the old guy says the Perp removed her organs and put them into some kind of carry bag then starts out across the park. The homeless guy decides to follow at a fair distance I might add, but God love him for showing some balls. He follows the Perp out of St. Paul over to Oakton Street all the way into Skokie. Two fucking miles, Sean. Guess where it leads him?”

Woodman said, “Little Big Horn.”

“You got it. Same place your guy was dumping bodies down the sewer. Same alley. Same fucking manhole. Except this guy pulls back the manhole cover and goes down the hole like a fucking … what did they call those underground moles in H.G. Wells’ The Time Machine?”

“Morlocks?”

“Yeah like a fucking Morlock. Not far from there, there’s a community Precinct. After the Perp goes down the hole, the old guy makes for the Precinct. Takes him about 20 minutes to convince the community cop he’s not a loon, twenty more minutes to locate the body and another ten to call us. We were mobile within an hour and a half.  I figured he was long gone.  Then, on a hunch I decided to check the Run-off. That’s where we found him. Where he is now.”

“Why isn’t he in the tombs under lock and key?”

“Because we don’t have him in custody. We just have him cornered.” 

Anger bubbled up. “Cornered! You brought me to an apprehension?  I don’t even have a gun! What the fuck is the matter with you!”

Emmett reached into his jacket and produced a Desert Eagle 9 mm. “You can have this if it makes you feel better, but you won’t need it. He’s behind some kind of plexus-glass barrier.”

“Barrier?”

“Sean, please. Come with me, it’s only another 600 yards. He says he knows you. Says that he is Number 4, he won’t talk to anyone but you. The others are waiting. We’ve got ten armed cops down there, you have my spare gun. I need you to talk to this guy, he’s up to something, but I’m not sure what. I can stand here and debrief you for another hour, but it will be easier if you just follow me the rest of the way.”

“Is it the man from Little Big Horn? Do you think this is my guy.”

“I really don’t know. That’s for you to decide.”

Both men carried on into the darkness.

4

“This is Detective Emmett! I am entering the scene with former Deputy Chief Sean Woodman!” Emmett shifted impatiently from one foot to the other. “Answer, God damn it!”

“Okay Detective, it’s clear for you to enter.”

The light at the end opened up into a pumping station that had been cut in half by a barrier that indeed looked like plexus-glass. On one side, strategically positioned, police officers stood, weapons drawn and at the ready. On the other, a lone silhouette sat staring out at his captors over a sea of clay pottery. The lighting was dim, but Woodman caught the grin that suddenly formed on the strangers face and knew that this sudden show of pleasure was due mostly to his arrival.

“What the fuck is he doing here,” Woodman cussed when he saw Jorgenson walking toward him.

“I’m sorry Sean, I didn’t think you’d come if I told you.”

“You’re right, I wouldn’t have.”

“Thank you for coming Sean,” Chief Jorgenson stuck out his hand.

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Woodman turned his attention from Emmett to Jorgenson. “Put it away, Jorg, I’m not shaking your fucking hand,” he said, then raising his voice just slightly, added. “Would I be correct to assume that that pottery contains what was taken from the victims?”

“Yeah, that would be correct.” Jorgenson lowered his hand and placed it into his pocket. He took a cursory glance around to see if his subordinates had noticed; they had.

“How did he get in there?”

“We don’t know.”

Then, from behind. “Wood Man.”

Startled, Woodman pivoted to face the Perp.

He rose, strode forward, coming into the light. He was a giant of a man. His hands hung like machinery at his sides. His clothes still stained with copper, giving testament to the last killing. His face was hard and angular, bone and muscle pulled his skin back making him look gaunt.

“I have been waiting for you?”

“You have. Why?”

“Because you have seen him.”

“Who?”

“Keh Run of course.”

“I don’t know any Keh Run. Who are you?”

“I am Number 4.”

“How did you get in there? Who is Keh Run?”

The stranger frowned. “I do not like games, Wood Man.”

Woodman thought back to the inscription in the cobblestone.  Charon. “Was that his name at the base of the tunnel?  I thought it was pronounced Charon, not Keh-Run.”

“Yes, Charon.”  He smiled again, revealing uniform planks of yellow teeth, looking more like old fence boards stacked on top of each other.  He folded his hands neatly in front him, tilting his head downward.

“You said you knew me.” Woodman decided to ask the question that was eating him. “Have you done this before? Back in 2001? Was that you?”  He brought his eyes up to meet the stranger, steeling his expression and waiting.

The stranger’s smile melted back into his milky complexion. He turned and moved back between the pots, settling down on his pedestal; arms crossed. From there, shadows fell upon his face, making it look skull-like.

“What now?” Emmett whispered.

Woodman cocked his head right, catching Jorgenson and Emmett’s attention and glanced toward the opening of the pump room. They took the hint and followed. Once out of earshot, he began talking. “This isn’t my guy.”

“How can you be sure?”

“The girls back in 2001 were torn open, their heads literally twisted off. This wacko is emulating that, but he wouldn’t know the state of the victims were in. Does anyone have a cell phone that works down here?”

Emmett pulled out his iPhone. “Yeah, I have a signal.”

“Okay, Google Charon.”

From above, a muddy drop of water fell downward and splashed  across the screen.

“Fuck.” He wiped it with his sleeve or he tried to, then stopped. “It’s going to take a second, the touch screen doesn’t react well to liquid poo.”

Woodman and Jorgenson both laughed, but stifled their amusement when they saw the other sharing in the joke. “So what’s your contingency plan?” Woodman asked.

“I’ve got a SWAT team coming down with a fixed charge. If you can’t talk him out, we’ll go tactical and take the fucker out.” Jorgenson nudged Emmett. “How are you making out?”

“Give me a second, the signal is pretty weak.”

“There has to be another way in? Are you looking at that?”

“I’ve got a city works guy coming with blue prints, but these are some old fucking tunnels. When I called over the Chief of Operations he asked me if I was kidding.  Said that finding a blue-print of this section might take a lot of hours.”

“But he found them?”

“Yeah, he’s conferring with the SWAT Lieutenant.”

“Got it! Holy shit, if this is right, this dude has some serious expectations of you, Sean.”

Woodman reached over, took the phone and began to read. He didn’t have his glasses, but the font was large enough that he didn’t struggle too much. After he finished, he passed the phone over to Jorgenson and said, “Well, at least we know who Charon is.”

“He’s certifiable,” Jorgenson said.

“Really? You needed Google to figure that out, eh, Jorg? The whole evisceration thing didn’t tip you off?” Woodman regretted letting that out only a second after it spilled from his mouth. Bitterness would accomplish nothing here.

THE HIGHWAYMAN SERIES Book 1 – HIGHWAYMAN Book 2 – FOUR

Jorgenson glanced up, his face red and angry. “You don’t want to be here. I’ll have an officer escort you out. I didn’t end your career, you did.”

“Could we save this for another time?” Emmett interrupted.

Woodman didn’t give Jorgenson a chance to respond. He walked out of the pump room back to the plexus. “The boatman. You’re waiting for the boatman to arrive?”

The stranger rose. “Charon, yes. I have a tidy sum to give him.”

“Who are you?”

“I told you, I am Number 4.” He reached down and lifted the lid from one of the pots. “One left to fill, then Charon will come for me.”

“What is this? Why did you ask for me?”

The stranger smiled. “You will see.”





From behind, Jorgenson whispered, “ I just got word, they have found another tunnel that’ll lead them in. Tactical will be here in five, keep him talking.”

“Why do you call yourself Number 4?”

“Because I am not the first.” He stood, walked to the back of the enclosure. “I am the fourth servant, cast down to earth. But to find my way back to the Master, I must first do his bidding and payment must be made.”

“Payment to Charon?”

From behind, Jorgenson again. “Four minutes.”

“Yes, but he is also a servant. He will take my payment, but the cargo will not be his to keep.” The stranger reached up onto the wall and flicked a switch. The room lit up, shadows retreating into the walls and in their absence Woodman saw it all.

There behind him, amongst the many clay pots, smeared with copper that could only be coagulant held a new source of concern. Was it? Could it be? Beneath a tarpaulin standing upright was a figure that could only be…

“Behold, Wood Man!” The stranger said and pulled away the tarp.

Horror cut through him like rusty barb wire. Woodman’s eyes widened, his thoughts spinning and as shock melted over him he could hear himself screaming. “No! No! No! No!”

From behind, Jorgenson again. Panicked. “Keep him talking. Tactical is close.”

“Stacey!”

She was barely conscious, not a strip of clothing on her body, her arms tied behind her back, her belly exposed. Like a witch on a stake.

“Jesus Christ, no! Let her go, please. ”

“Forty five is the number, Wood Man.”

There below her, a pot was waiting. It’s lid removed.

The Officers at the scene raised their weapons. Safeties clicked off.

The stranger reached down and produced a knife, its blade long and curving into a hook.  He stepped forward and blew into her face. “Wake, child.”

“You fucking psycho, let her go!” Woodman was blubbering. “Please, take me instead!”

 Suddenly conscious, Stacey whimpered, “Daddy?”

 “It’s time, Wood Man.” He grinned and raised the blade.

“Shoot! Shoot the fucker!” Jorgenson ordered.

The underground room exploded in a barrage of gunfire. Bullets ricocheted off the plexus, one zipping past Woodman’s head. Another struck Jorgenson in the throat opening his jugular. Blood spurted out of the wound, splashing upward against the plexus; first defying gravity then it began to flow downward.  Another officer was struck in the ankle, bone fragments splintered from the skin in porcupine fashion.

The stranger seemed not to notice.

Woodman begged – pleaded – cried and then fell to his knees when the knife cut up into her belly on its first diagonal pass. Stacey stiffened, her eyes locking with her father’s. Then, after the second cut, she screamed, but only for a second; it was drowned out by her father’s howls of anguish.

Emmett ordered, “Hold your fire! Hold your fire!” Then a bullet cut into his guts, turning his knees to rubber. As if in prayer, he dropped and let loose a groan that exemplified agony.

Woodman could only hope a stray bullet would take him, but the barrage fell silent, replaced by  ringing disbelief.  Stacey’s chin rested against her chest, her mouth opening and closing, her pupils dilating.

Woodman prayed, Take her, please take her now.

Then, with one hooked hand, the stranger who called himself “Number 4” reached inside and to  eviscerate her. She was gone before the audible plop, her insides warming the cool clay jar.

 The stranger came to the glass, and with one bloodied finger wrote the word: Charon.

“Your soul for hers,” he invited.

“You bastard, you fucking psycho piece of shit!”

From the headset that now lay beside a dead Jorgenson, he heard, “One minute to breach!”

The stranger returned to the center of the pots and stood on his pedestal. Then he began to pray aloud in some foreign tongue. It was rhythmic, rising and falling. Woodman had never heard the language, but it was indeed a language.

“You’re going to get the needle for this, you sick fuck!”

Shay-gra-che-Keh-Run-la-a-Jee,” he prayed, a chant of psychobabble. “Keh Run-la-a-Jee! Charon! La-a-jee! Charon! La-a-jee!

Something began to happen.

From each pot a light began to bloom, first growing then pulsing like a heartbeat. All of them, all 45 glowed in a myriad of color. The temperature plummeted, frost forming on the walls, turning breath into vapor.

“What’s happening?” someone asked.

The stranger began to change as well. His face hardening, the milky skin turning first to serape and then ashen. The radiance from the pots increased, the stranger raised a hand, his skin crumbling away like cigarette ash leaving only an accusing boney talon. “Behold,” he said.

Behind him, the wall began to ripple and then fade. Light dissolved the matrix of reality and the wall was no more. Reality buckled – came apart –  a corridor materialized; a long wide passageway set in stone bookmarking each side, halfway filled with water. Down that passage was a place that those who feared for their eternal soul would not dare look.

Woodman, mouth agape, remembered what he’d read.  Dark and dismal, the River of Acheson and across the Styx cometh the boatman: Charon to collect the payment for safe passage to Hades.

The light inside each of the pots rose and materialized corporeally.

First he saw a man, then woman, then a child, then Stacey. Behind them, the stranger continued to decompose, muscle degenerating, skin tightening, until only mummified bone remained.

 “Oh my God,” the officer whose ankle had been shot called out.

Down the corridor, pushing against the current, the boatman was coming.

The ghostly forms gathered about the one who called himself Number 4 as he stepped from the pedestal, following him to the shoreline as the boatman approached.

“Hades,” Woodman mumbled.

“What?” Emmett grunted.

“Your soul for hers,” he had offered.

There’s still time. I can save her. I can stop him from taking her!

Woodman reached into his jacket pocket, felt the gun, wrapped his fingers around the pistol grip. “I can’t let this happen! I can’t let him take her!”

Almost at the shore now, soon the boatman would be ready to take them aboard. 

“Sean! What are you doing?” Emmett cried.

Sean Woodman placed the gun barrel under his chin, closed his eyes and squeezed.

***

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Thanks

MJ

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